The first of a trio of tightly-themed, ergonomically compact group exhibitions – completed by Select (1998) and Black Box (1998) – this showcase of low-fuss, high-impact film and video work from some of the rising stars of the Nineties art world was notable also for pioneering a new mode of presentation that mobilised what (at the time) were significant advances in digital technology, allowing audiences to scroll through a track-list of pieces and play them instantaneously and on demand. The title of the project punned on the mid-Nineties phenomenon of the National Lottery ‘scratch-card’, a golden ticket to instant riches whose unexpected popularity underwrote part of the art-boom that resulted from the enhanced resources that suddenly became available to British public venues.