Geomancer shows as part of Lawrence Lek's solo exhibition Future: 2065, which expands the setting of his film into a gaming journey.
In Lek’s video, an AI awakens above Singapore on the eve of the city-state’s centennial celebrations in 2065. Already a prodigy with numbers, it seeks to feed the other side of its savant-like brain, gorging on the products of cultural history. Part philosophical reflection on where ‘genius’ resides, part playful inventory of how science fiction has dealt with these eternal human/automaton themes, Geomancer is provocative stimulation for both the eye and the mind.
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