Our projects are invariably accompanied by specially-commissioned texts, a selection of which are published here.
Rachael Rakes examines how visual technologies, especially photography, film, and now AI, have never been neutral tools for revealing truth, but have instead been shaped by systems of power that determine what counts as evidence and reality.
Adnan Madani's text examines a world saturated with mediated images of violence, revealing how perception is shaped by power and spectacle.
Jaye Hudson explores how queer and trans artists in the ’90s and early 2000s used low-budget media to challenge mainstream misrepresentation, often without institutional backing.
Gary Zhexi Zhang situates Giants' Anatomy as a near-future reflection on dismantling industry, mourning labour, and turning industrial history into spectacle and museum culture.